The Norman film is still in process. But like any creative process, it’s kind of excruciating. Luckily I have an amazing and ever growing team of people helping with collecting visuals and animating. I kind of feel like I’m conducting a visual animation orchestra. Dah dah dah. (That’s the sound of an instrument).
I’ve been looking for inspiration from other animators using unique and lo-tech techniques and recently discovered Kelly Sears. Several of her pieces incorporate archival footage that is altered to have a sort of extra lush saturated feel against these colorful and textured backgrounds.
Other pieces are hand done collage that are colorfully layered to create images that are visually engaging without being overwhelming or chaotic. She some how manages to create a depth of field through her use of scale and layering in a way that makes me more conscious of how flat the images I’ve been producing are.
I suspect that some of her work was done on an optical printer, which gives me that slight twinge of “things-I-should-have-taken-more-advantage-of-while-paying-a-million-dollars-to-be-in-film-school.” (It wasn’t really a million, but either way it’s more than I’ll probably be able to pay back in my life time.)
I love learning about new artists whose work triggers a flurry of ideas for me. If you’ve got other suggestions please share!