“Pariah” A Strong First Feature Film (Opens At Ritz Theater in Philadelphia This Friday)

Last night I had the privilege of going to an advanced screening of the film Pariah (thank you Reelblack!).

I’ve been hearing so much buzz about this film and attended to try to support an up-and-coming independent filmmaker, something I try to do whenever possible. And I have to admit that I expected to come away from it with the same feeling as many other times with the line “That was a good first feature length film.”

But I have to tell you that Pariah was one of the strongest first feature lengths I have seen in a long time. It took me somewhere.

Side note: I mean nothing but love when I say that other films have a “first film” feeling to them. We’ve all got to start somewhere, we’re all doing what we can with the resources we have, and for many of us just creating images of ourselves that are not represented anywhere else is an important act–and one day I’ll (hopefully) make a feature film that will also most likely have that feeling to it. But because I assume that as a starting point for us as indie filmmakers, I’m blown away when people like Miranda July or in this case Dee Rees raise the bar.

This film has the power trio of:

1. an excellent cinematographer who honors film as a visual art (rather than just a story with pictures and sound);

2.a strong script with rich characters and a story arch that pulls you in, in the hands of a skilled writer/director; and

3. a director and producer who (at least from the outside) have their sh*t together around money and are not scared to go after it (if you read the credits they got almost every grant you can get as an independent filmmaker. Also, after the film a friend told me that Dee Rees got an MBA before her MFA, which is kind of brilliant since in the end it really does come back to MONEY).

Rather than trying to write much of a synopsis or review on it I’ll just encourage you to follow the film on Facebook, and check out the dozens of articles linked there and on its website. And hopefully one if not all of these will convince you to get to the theater this weekend and support this project with a strong show of love in Philadelphia.

Oscar Short Listed “Sing Your Song” About Harry Belafonte Screens in Philadelphia January 10th

Harry Belafonte
Sing Your Song

2012 Oscar Shortlist for Best Documentary, 2011 Sundance Film Festival selection

“It isn’t just the story of a man but the story of a country and a century.”    -Variety  

Tuesday, January 10   @ International House
3701 Chestnut Street, Philadelphia
5:30PM-fundraiser reception
7PM- screening 
No dress code required.

*Director/editor Susanne Rostock and editor Jason Pollard in person for fundraiser and screening.

On Tuesday January 10, 5:30 PM at International House, Scribe will host a fundraiser reception to support and celebrate the beginning of the organization’s 2012 season and host a very special edition of our Producers’ Forum series that same evening beginning at 7PM. Immediately following the reception, will be the screening of director Susanne Rostock’s 2011 Sundance Film Festival selection Sing Your Song about the life of activist and actor Harry Belafonte (USA, 2011, 104 min). The film’s director, Susanne Rostock, and editor Jason Pollard will be in person for the Scribe fundraiser and to host a post screening Q&A after the film. Pollard will also teach a Master Class, the Art and Craft of Editing, the following evening Jan 11, 7PM at Scribe.

Learn more and  please support Scribe today by sending your  RSVP today HERE.

PressPausePlay screening in Philly on Friday!

What are the upsides and challenges of a world where almost anyone can be an “artist”?

The digital revolution of the last decade has unleashed creativity and talent in an unprecedented way, with unlimited opportunities. But does democratized culture mean better art or is true talent instead drowned out?  These are the questions addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most influential creators of the digital era.

For the next installment of our Kinowatt Film Series, co-curator Maori Karmael Holmes and I will be presenting this film along with an audience discussion lead by a few local digital artists (music, graphic design and film). Come link up with some other creative folks!

Friday, February 6
8pm
@Asian Arts Initiative, 1219 Vine Street

$8 General Admission/$5 Student Admission (Tickets available at the door or you can purchase tickets online at:  http://www.brownpapertickets.com/event/216590 ).

VideoEx International Experimental Film Festival Call for Submissions

CALL FOR SUBMISSIONS

VIDEOEX

International Experimental Film & Video Festival Zürich invites you to submit your work for the international competition (entry deadline 30 January 2012).

They are looking for

  • experimental films (8mm / 16mm / 35mm (screened in original format),
  • videos (experimental, videoart, essay, experimental documentary)
  • innovative animation
  • experimental digital & graphic productions (to be screened)
  • experimental documentaries
  • experimental music videos

Works must have been completed since Sept.2010

Entry deadline 30 January 2012  

For details, entry form and guidelines visit www.videoex.ch

My “Films I Watched in 2011″ Cumulative List!

This past year I’ve kept a film journal with notes on every movie I watch and what means I watch it through (cable, theater, DVD, streaming). My hope in 2012 is to actually translate those into blog posts online.

For this year though I offer you just a list of titles in case you are searching for ideas for films to add to your Netflix queue. (This list does not include the documentaries I’ve done screening events for in Philadelphia over the past year, but it should!)

Feel free to share yours–I’m always looking for reminders and suggestions of movies to watch!

(in chronological order)
Cache DVD/Netflix
Magnolia DVD/Netflix
Exit Through the Gift Shop Netflix Streaming
Kiki’s Delivery Service DVD/Netflix
Fur DVD/Netflix
The Passenger DVD/Netflix
Reign Over Me DVD/Netflix
Thor theater
Hiroshama Mon Amour DVD/Netflix
Pirates of the Carribean 4 theater
Easy A Netflix streaming
Michael Clayton DVD/Netflix
V For Vendetta DVD/Netflix
Super 8 theater
Why Did I Get Married DVD/Netflix
Harry Potter and the Deadly Hollows theater
Captain America theater
Cowboys and Aliens theater
I Am arthouse/microcinema
Dispicable Me DVD/Netflix
The Da Vinci Code DVD/Netflix
It’s Complicated cable
A Lot Like You arthouse/microcinema
Circumstance arthouse/microcinema
Dream Girls DVD/Netflix
Men Who Stare At Goats cable
Black August HipHop Project arthouse/microcinema
Julie and Julia DVD/Netflix
The Spirit of the Beehive DVD/Netflix
Frost/Nixon DVD/Netflix
The Muppets theater
The Lives of Others DVD/Netflix
Brick Lane  DVD/Netflix
Inception cable
Star Wars DVD/home collection
Empire Strikes Back DVD/home collection
Zach and Mira Make a Porno  cable
Mystic Pizza cable

Animation Sample From Olivia Broadfield Music Video

For the past two years I’ve been working on a short film and teaching myself the animation software After Effects (via lynda.com). The styles I’ve been working with so far are very lo fi hand drawn animation. From time to time I’ll look at samples of other work for inspiration and ideas. Here’s a music video that was forwarded to me that has a similar aesthetic to what I’ve been developing with cut outs and paper doll like movements (though a bit more advanced then where I’m at for now).

2012 Queer Women of Color Film Festival Call For Submissions

The 8th Annual Queer Women of Color (QWOCMAP) Film Festival deadline for submissions is December 30, 2011. There are no submission fees!

QWOCMAP invites people of color who are a queer woman, transgender or gender queer to submit films to their film festival, to be held June 8-10, 2012 at the Yerba Buena Center for the Arts, in San Francisco.

For guidelines and more information click here.

2012 Davis Feminist Film Festival Accepting Submissions

The Consortium for Women and Research is now accepting submissions for the 2012 Davis Feminist Film Festival until January 1, 2012.

The Davis Feminist Film Festival welcomes films from professionals, students, and community members locally, nationally, and internationally. People underrepresented in the media field are especially encouraged to submit a film for consideration.

The Davis Feminist Film Festival is a short film festival. Films must be shorter than 35 minutes in length. Films submitted to the festival for consideration must meet at least two of the following criteria:
* Films created with an eye for gender and social justice issues
* Films that link local and global issues
* Films created by people underrepresented in the media field (women, people of color, queer/transgender, disabled)
* Films made by people from the Davis/Sacramento area

A completed application includes:

* Entry Submission form
* Signed Submission Agreement Form
* Film Synopsis (250 word maximum)
* Short 1-page Cover Letter addressing how your film fits at least two of the submission criteria
* Short 2-page Resume/CV
* DVD of film (must be formatted for the United States, Region 1 or 0)
* Label your DVD with: 1) you name, e-mail address, telephone number 2) the name of the film, 3) Run time in minutes and 4) Format

Please send your application to:

Consortium for Women and Research
154 Kerr Hall
University of California
One Shields Avenue
Davis, CA 95616

Applications are due: Sunday, January 1, 2012

For more information, please check out: http://femfilmfest.ucdavis.edu or e-mail femfilmfest@ucdavis.edu

Artist Shout Out: Elisha Lim

Continuing on with my promised artist shout outs to the excellent people I met earlier this month, here’s another artist to put on your radar: Elisha Lim.

Elisha’s illustrations have the quality I haven’t quite been able to name yet. The best word I’ve been able to come up with is “accessible.” I feel that way when I look at Basquit’s work too. I’m not saying their styles are anything close to each other, because they are not. But it’s that feeling that you are looking at something really smart and technically advanced, but that you still “get” it.

A lot of art requires an explanation from my sweetheart/art history background tourguide, and when he’s not around I basically feel lost and out of the club. I appreciate art that doesn’t make me feel stupid but actually talks to me. And that’s how I feel about Elisha’s illustrations and writing.

Elisha’s forthcoming graphic novel 100 Butches–full of humorous and poignant stories–will be available to us all soon, but in the meantime you can order prints and cards on etsy here.

Artist Shout Out: Fulana Video and Satire Collective

Earlier this month I was lucky enough to be in the room (working administrative support) with an incredible group of artists whose work was inspiring and whose practice incorporated aspects of social change that challenged me to think bolder and bigger with my own work.

This week I’ll be featuring the work of some of those artist on the blog.

Today I’d like to introduce you to Fulana, a Latina video and satire collective. These ladies are HILARIOUS. I really admire well done comedy and satire–there is a way that it can pinpoint the absurdity of some of our cultural (mis)conceptions that no amount of lecturing or pontificating can. Straight to the point. Straight to the gut. All while you’re laughing.

Fulana’s work is on point and delivers its punches with quality video production, engaging scripts and well structured comedic timing.

Check out these videos below and visit their website for more!