Apply for Reel Change: Managing Social Issue Film Campaigns

Working Films and The Fledgling Fund, in collaboration with American University’s Center for Social Media, are bringing Reel Change: Managing Social Issue Film Campaigns to Washington D.C April 28-30, 2012. This interactive three-day workshop is designed to develop the skills required to be a community and audience engagement coordinator for social issue documentaries and cross-platform media projects. These positions support the development and day-to-day management of nontraditional distribution for film and online projects tied to on-the-ground efforts for social change.

Find out more and apply now! The deadline is March 9th.

After 27 Years And A Fight For Public Access, PhillyCAM TV Goes Live Wednesday!

Want to talk about long term vision in community organizing? For over 15 years a dedicated group of folks led a campaign to put pressure on the City to release money that Comcast had allocated starting the 1980s for creating a public access station.

It was a long process that involved a far reaching coalition of organizations throughout the City, endless meetings and even a lawsuit against the City. True story.

The result was that in the fall of 2007, the City finally signed the articles of incorporation to create the non-profit to run public access. On October 23, 2009, Philadelphia Community Access Media, PhillyCAM for short, began providing Philadelphians the opportunity to produce and air their own non-commercial television programs on cable channels Comcast 66/966 and Verizon 29/30.

They started out of temporary space at the Painted Bride and moved into their new state of the art facility that was constructed at 699 Ranstead Street (between Chestnut and Market on 7th) in late 2011.

On Wednesday February 8th they will kick off their grand opening and first live studio broadcast with a visit from Mayor Nutter for an afternoon press conference and a party for the general public from 6-9pm. The live studio television broadcast will happen during the evening party.

Come be a part of this historic moment in Philadelphia and learn what PhillyCAM can offer you! Details available here.

Screening of “Cultures of Resistance” in Philly tomorrow!

I’m excited for the next installment of our Kinowatt Film Series tomorrow evening. We’ve had a great vibe going at our past screenings–it’s a bunch of interesting people coming together for films about art and social change and then exchanging thoughts in the discussion on it afterwards together. Come on through and join us tomorrow for this film CULTURES OF RESISTANCE. Details are below.
ABOUT THE FILM
Does each gesture really make a difference? Can music and dance be weapons of peace? In 2003, on the eve of the Iraq war, director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, travelling over five continents, Iara encountered growing numbers of people who committed their lives to promoting change.This is their story. From IRAN, where graffiti and rap became tools in fighting government repression, to BURMA, where monks acting in the tradition of Gandhi take on a dictatorship, moving on to BRAZIL, where musicians reach out to slum kids and transform guns into guitars, and ending in PALESTINIAN refugee camps in LEBANON, where photography, music, and film have given a voice to those rarely heard, CULTURES OF RESISTANCE explores how art and creativity can be ammunition in the battle for peace and justice.

Featuring: Medellín poets for peace, Capoeira masters from Brazil, Niger Delta militants, Iranian graffiti artists, women’s movement leaders in Rwanda, Lebanon’s refugee filmmakers, U.S. political pranksters, indigenous Kayapó activists from the Xingu River, Israeli dissidents, hip-hop artists from Palestine, and many more. To view the trailer click here.

February 3, 2012
8pm
@
Asian Arts Initiative, 1219 Vine Street
(You can also come earlier in the evening for the opening of the Asian Arts Initiative’s gallery exhibit “Marvels and Monsters: Unmasking Asian Images in US Comics, 1942-1986″)
Tickets for the screening are $8 General Admission; $5 for students and available at the Asian Arts Initiative box office or online in advance here.

Ava Duvernay First Black Woman to Win Best Director at Sundance

Ava Duvernay is an inspiring model for all of us as indie filmmakers–her incredible grassroots self-distribution plan and establishment of AAFRM (which I wrote about earlier) and continued focus and productivity which lead to the release of her second feature film “Middle of Nowhere” and earned her the award of Best Director at this year’s Sundance.

Here’s a great interview with her on her new film:

Philly: Selling My Antique (1940s) Bell & Howell 16mm Auto Load Camera

I am selling a Bell & Howell 16mm auto load camera, complete with original hard carrying case and manual for $25. This is an incredible detail since these generally sell at $40-$60.

I have shot one test reel on it but still haven’t developed it to confirm how the camera registered the image, so I am selling the camera “as is.” The wind up motor works just fine and the camera body is in excellent condition, the lens is not scratched though it is aged. The case has some scuff marks but no break down of the leather and the strap is still intact. Feel free to schedule to have a look at it before making a decision.

I am selling it because I am reducing the amount of clutter in my house and letting go of cameras I do not really use and end up in a closet lost to the world.

If you are interested please use this contact form to get in touch or email me directly if you know me.

Philly: Selling My Almost New Panasonic DVX100B Video Camera for $900

I am selling my Panasonic DVX100B, a Petrol carrying case, battery and charger all for $900. The camera has barely been used (less than 100hours of shooting, most of which has been at events on a tripod not running around handheld) and is in almost new condition.

Although it’s not an HD camera, it can be blown up to 35mm and produce TV broadcast quality work (It’s Always Sunny In Philadelphia was shot on a DVX100 originally). If you are not familiar with this camera, this was an “it” camera to have before smaller and more mobile cameras like the Canon 5D emerged. I still think the 24p mode on this DVX100B produces a cinematic image quality that is unlike any other. Also, the built in XLR ports render better sound quality than having to add on a component like you do on many newer smaller cameras that only have a mini connection. If I were a cinematographer I’d hang on to it, but I’ve come to accept that my strengths really are more in producing and marketing.

You can read more about the camera specs here.

I would love for the camera to make its way into the hands of someone who will actually use it for their own work or for teaching others. If you are interested please use this contact form to get in touch, or if you know me please feel free to shoot me an email. Serious inquiries only though, please. And, you must be in the Philadelphia area or able to easily pick up the camera from Philadelphia soon.

Audience Engagement For Your Film: Some Thoughts and Resources From Working Films

This past Saturday I attended a workshop led by Robert West of Working Films on how to create a social justice impact with your films and engage your audiences beyond the screen. I was happy to see dozens of talented Philly indie filmmakers there and share in the great energy in the room.

If you don’t know about Working Films, you should really check out their website and very helpful free resources they provide there.

Working films links activists with filmmakers and vice versa–they are a much needed antidote to documentaries ending up in the isolated environments of film festivals that less then .01% of the population ever attends. Instead, they work with filmmakers to get their films in the hands of people who are really doing the groundwork and community organizing on a variety of social justice issues and create impact.

One key point that Robert shared is that your film’s engagement strategy needs to be able to answer the question “What can I do?” for audiences, and in an authentic way. People are bombarded with information, but often feel lost about what to do about it and how to make a situation better. There’s no time that they’ll be more motivated to do something than immediately after viewing your film.  In order to begin creating your engagement plan you need to ask yourself as a filmmaker why did I tell this story? What is my purpose and vision for this?

Robert also covered the process of developing and building partnerships with people on the ground working on the issues presented in your film. The partnerships don’t necessarily need to be with big organizations–your focus should really be on partnering strategically. Who is doing the work in a way that is believable? (ie not just a flashy website but no actual engaged membership).

For more on the ideas presented in the workshop visit the free resources section of Working Films’ website.

Artist Coworking Spaces and Resources in Philadelphia I Just Learned About

Last night I attended a discussion put on by Culture Works and CFEVA on artist coworking spaces in Philadelphia. I LOVE living in a city where there are constantly new surprises for me of things going on I had no idea about. For all of you grumpy heads out there that get down on this city I want to say that there really are so many great things happening here and you might just need to shake it up a bit, step outside your primary social circles, and you’ll discover there’s all kinds of things going on.

Or, maybe you all know about these things and I’m just the one that’s way behind?

Did you know about the artist residency at Breadboard and their collaboration with NextFab Studio, a coworking space that is a sculptor and industrial design person’s dream with digital sewing machines, 3D printing, laser etching, every saw you could ever want and classes on how to use it all?

Or about the Philadelphia Sculpture Gym another sculptors’ haven opening later this spring?

The great shared curatorial collective model at Little Berlin?

That Culture Works is working on opening a co-working space for cultural workers similar to the lovely model of the very successful IndyHall?

That the Brooklyn based 3rd Ward, a multi-disciplinary workspace and education center, is opening up in Philly?

Workshop on Engagement & Non-traditional Distribution Tactics For Filmmakers in Philadelphia

Content + Intent = IMPACT / Engagement & Non-traditional Distribution Tactics

Working Films’ executive director, Robert West, will present a workshop in Philadelphia, PA, focused on audience-engagement strategies and new non-traditional distribution tactics for social-issue media. The focus is to create new partners and pathways to reach audiences, turning them into impassioned viewers — so when the lights come up they are ready to act. This event is presented by Philadelphia Independent Film & Video Association (PIFVA) & SCRIBE Video Center.  The fee is $25 ($15 for members). To RSVP click here.


January 21, 2012 01:00PM to 04:00PM
@Scribe Video Center, 4212 Chestnut Street, 3rd Fl

Philadelphia Cultural Workers–New Coworking Space and Panel Discussion

Thursday, Jan 19th, 5:30-6:30pm. The Barclay: 237 South 18th Street, Suite 3a.

Please RSVP : mfoster@cultureworksphila.org

Did you know Culture Works is launching a coworking space for cultural workers similar to Indyhall in Philadelphia?

The founder of Culture Works coworking space will moderate a discussion with three visual arts about sharing space for management as well as creating work this Thursday.  Featured panelists are:

Kelani Nichole: ingenious Indy Hall coworker, and member of Visual Arts Collective, Little Berlin.

Darla Jackson: Philly-based sculptor and co-owner of the Philadelphia Sculpture Gym–a community based sculpture workshop that operates similar to a gym membership and provides a plethora of sculptural tools.

Dan Schimmel: visual artist extraordinaire and Director of Breadboard–a hybrid program at the University City Science Center that facilitates cross-disciplinary art exhibits, community outreach initiatives and special programs offering public access to a new generation of fabrication technology and workspace in an effort to empower individuals and convene communities around creative applications of technology!